We're seeing something cool happen: Trip-Hop is making a comeback with younger generations. It feels like the 90s are back, with that lo-fi vibe, slow music, and blurry visuals. People are tired of everything being so clear and fast these days, so they're going for something more chill. This old-school sound is getting a fresh listen.
We're seeing something cool happen: Trip-Hop is making a comeback with younger generations. It feels like the 90s are back, with that lo-fi vibe, slow music, and blurry visuals. People are tired of everything being so clear and fast these days, so they're going for something more chill. This old-school sound is getting a fresh listen.
There's this project that's not just trying to copy the past. It's mixing things up, like taking the vibe from a smoky jazz club in '59 and putting it with the rainy streets of '95. That's where Waterbaby comes back to life.
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Draiocht313
Draiocht313
Draiocht313
Instead of making music that's perfect and on the grid like most electronic stuff now, this was all about feeling. It was inspired by the Kind of Blue sessions, made from quick ideas and first tries. It’s real and in the moment. You've got analog synths and a live bass that's not perfect, which makes it feel human. The music has a natural flow, and those little mistakes add to it. It's not just a recording, it's a moment captured in time.
Draiocht313 is where the smooth vibe of modal jazz meets the serious, movie-like feel of Bristol's downtempo sound. Think Miles Davis' cool mixed with Portishead's moody vibes. This project is all about opposites: smart without trying too hard, and dark without being depressing. The main idea is pretty simple: Mix everything. It’s music you can really focus on, but also just chill with. It’s sound that tells a story, adds texture, and creates a mood, all at the same time. It’s jazz that remembers where it came from, and trip-hop that remembers to keep it intimate.
Instead of making music that's perfect and on the grid like most electronic stuff now, this was all about feeling. It was inspired by the Kind of Blue sessions, made from quick ideas and first tries. It’s real and in the moment. You've got analog synths and a live bass that's not perfect, which makes it feel human. The music has a natural flow, and those little mistakes add to it. It's not just a recording, it's a moment captured in time.
Draiocht313 is where the smooth vibe of modal jazz meets the serious, movie-like feel of Bristol's downtempo sound. Think Miles Davis' cool mixed with Portishead's moody vibes. This project is all about opposites: smart without trying too hard, and dark without being depressing. The main idea is pretty simple: Mix everything. It’s music you can really focus on, but also just chill with. It’s sound that tells a story, adds texture, and creates a mood, all at the same time. It’s jazz that remembers where it came from, and trip-hop that remembers to keep it intimate.