Their sound brings together punk, math-rock, nu-metal, and shoegaze, held together by poetry-driven lyrics and an abrasive energy. Rather than sticking to familiar subjects like romance, the band writes about issues such as war, immigration, and social housing. Their songs approach these topics with frustration and sarcasm, finding humor in situations that are often anything but funny.

At the center of HMRC are vocalist and lyricist Lloyd Holmes, guitarist Arian Starfield, bassist Joseph O'Neill, and drummer Duncan Arnold. Together, they have developed a sound that matches the urgency of their writing. Their influences range from The Fall and Ian Dury to the Pixies, but the band uses those references as starting points rather than a formula to follow.

The frustration behind their music comes from a wider sense of disillusionment with the UK's direction. HMRC sees a society where ordinary people are increasingly squeezed by economic pressures and a system that feels deeply unequal. Their lyrics turn that anger into protest, without losing the cynicism and wit that make their perspective distinctive.

The band has already begun building a presence in the North East's live music scene, where their energetic performances and confrontational approach have attracted attention. Previous releases, including “Adenosine” and “Chloe Tells Me,” show their willingness to combine punk urgency with post-punk textures and unexpected lyrical references.

With their debut album Cost of Living on the way, HMRC are continuing to make music that reflects the conditions surrounding them. Their approach is direct, loud, and unapologetic. Rather than offering easy answers, they use their songs to challenge the status quo and give a voice to the frustrations that often go unheard.